The TejaNext Reader: 15 Cross Border Books for Your Social Distancing

This down time may be as good a time as ever to catch up on your reading. Check out the following 15 books in both English and Spanish that inspire us. Descriptions below are from Amazon.

In the city of Bogotá, Antonio Yammara reads an article about a hippo that had escaped from a derelict zoo once owned by legendary Colombian drug kingpin Pablo Escobar. The article transports Antonio back to when the war between Escobar’s Medellín cartel and government forces played out violently in Colombia’s streets and in the skies above. Back then, Antonio witnessed a friend’s murder, an event that haunts him still. As he investigates, he discovers the many ways in which his own life and his friend’s family have been shaped by his country’s recent violent past. His journey leads him all the way back to the 1960s and a world on the brink of change: a time before narco-trafficking trapped a whole generation in a living nightmare.

Octavio Paz has long been acknowledged as Mexico's foremost writer and critic. In this international classic, Paz has written one of the most enduring and powerful works ever created on Mexico and its people, character, and culture. Compared to Ortega y Gasset's The Revolt of the Masses for its trenchant analysis, this collection contains his most famous work, "The Labyrinth of Solitude," a beautifully written and deeply felt discourse on Mexico's quest for identity that gives us an unequalled look at the country hidden behind "the mask." Also included are "The Other Mexico," "Return to the Labyrinth of Solitude," "Mexico and the United States," and "The Philanthropic Ogre," all of which develop the themes of the title essay and extend his penetrating commentary to the United States and Latin America.

When Malinalli, a member of the tribe conquered by the Aztec warriors, first meets the conquistador Hernán Cortés and becomes his interpreter, she—like many—believes him to be the reincarnated forefather god of her tribe. Naturally, she assumes she must welcome him, and help him destroy the Aztec empire and free her people. The two fall passionately in love, but Malinalli soon realizes that Cortés's thirst for conquest is all too human, and that he is willing to destroy anyone, even his own men—even their own love.

The seventeen pieces in Ficciones demonstrate the whirlwind of Borges’s genius and mirror the precision and potency of his intellect and inventiveness, his piercing irony, his skepticism, and his obsession with fantasy. Borges sends us on a journey into a compelling, bizarre, and profoundly resonant realm; we enter the fearful sphere of Pascal’s abyss, the surreal and literal labyrinth of books, and the iconography of eternal return. To enter the worlds in Ficciones is to enter the mind of Jorge Luis Borges, wherein lies Heaven, Hell, and everything in between.

An extraordinarily vivid, unflinching series of portraits of South America today, written from the inside out, by the award-winning New Yorker journalist and widely admired author of Samba.

Every year, Ceyala “Lala” Reyes' family—aunts, uncles, mothers, fathers, and Lala's six older brothers—packs up three cars and, in a wild ride, drive from Chicago to the Little Grandfather and Awful Grandmother's house in Mexico City for the summer. Struggling to find a voice above the boom of her brothers and to understand her place on this side of the border and that, Lala is a shrewd observer of family life. But when she starts telling the Awful Grandmother's life story, seeking clues to how she got to be so awful, grandmother accuses Lala of exaggerating. Soon, a multigenerational family narrative turns into a whirlwind exploration of storytelling, lies, and life. Like the cherished rebozo, or shawl, that has been passed down through generations of Reyes women, Caramelo is alive with the vibrations of history, family, and love. From the winner of the 2018 PEN/Nabokov Award for Achievement in International Literature.

Since its U.S. debut a quarter-century ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx.

Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation. Thus he is concerned with gold and silver, cacao and cotton, rubber and coffee, fruit, hides and wool, petroleum, iron, nickel, manganese, copper, aluminum ore, nitrates, and tin. These are the veins which he traces through the body of the entire continent, up to the Rio Grande and throughout the Caribbean, and all the way to their open ends where they empty into the coffers of wealth in the United States and Europe.

Weaving fact and imagery into a rich tapestry, Galeano fuses scientific analysis with the passions of a plundered and suffering people. An immense gathering of materials is framed with a vigorous style that never falters in its command of themes. All readers interested in great historical, economic, political, and social writing will find a singular analytical achievement, and an overwhelming narrative that makes history speak, unforgettably.

Compañeras is the untold story of women's involvement in the Zapatista movement, the indigenous rebellion that has inspired grassroots activists around the world for over two decades. Gathered here are the stories of grandmothers, mothers, and daughters who became guerilla insurgents and political leaders, educators and healers—who worked collectively to construct a new society of dignity and justice. Compañeras shows us how, after centuries of oppression, a few voices of dissent became a force of thousands, how a woman once confined to her kitchen rose to conduct peace negotiations with the Mexican government, and how hundreds of women overcame ingrained hardships to strengthen their communities from within.

This book examines the lived experiences of Mexican teenage girls raised in transnational families and the varied ways they make meaning of their lives. Under the Bracero Program and similar recruitment programs, Mexican men have for decades been recruited for temporary work in the U.S., leaving their families for long periods of time to labor in the fields, factories, and service industry before returning home again. While the conditions for these adults who cross the border for work has been extensively documented, very little attention has been paid to the lives of those left behind. Over a six-year period, Lilia Soto interviewed more than sixty teenage girls in Napa, California and Zinapécuaro, Michoacán to reveal the ruptures and continuities felt for the girls surrounded by the movement of families, ideas, and social practices across borders. 

As they develop their subjective selves, these Mexican teens find commonality in their fathers’ absence and the historical, structural, and economic conditions that led to their movement. Tied to the ways U.S. immigration policies dictate the migrant experiences of fathers and the traditional structure of their families, many girls develop a sense of time-lag, where they struggle to plan for a present or a future. In Girlhood in the Borderlands, Soto highlights the “structure of feeling” that girls from Zinapécuaro and Napa share, offering insight into the affective consequences of growing up at these social and geographic intersections.

Rooted in Gloria Anzaldúa's experience as a Chicana, a lesbian, an activist, and a writer, the essays and poems in this volume profoundly challenged, and continue to challenge, how we think about identity. Borderlands / La Frontera remaps our understanding of what a "border" is, presenting it not as a simple divide between here and there, us and them, but as a psychic, social, and cultural terrain that we inhabit, and that inhabits all of us.

Los señores del narco is a no-holds-barred chronicle of the shocking complicity of high political circles, police, military and businessmen with organized crime in Mexico. Anabel Hernández got access, not only to countless documents —unpublished until today—, but also to direct statements rendered by authorities and experts on the subject, as well as by people involved with the main Mexican drug cartels.

First Stop in the New World is a street-level panorama of Mexico City, the largest metropolis in the western hemisphere and the cultural capital of the Spanish-speaking world. Journalist David Lida expertly captures the kaleidoscopic nature of life in a city defined by pleasure and danger, ecstatic joy and appalling tragedy-hanging in limbo between the developed and underdeveloped worlds. With this literary-journalist account, he establishes himself as the ultimate chronicler of this bustling megalopolis at a key moment in its-and our-history.

Reyna Grande vividly brings to life her tumultuous early years in this “compelling . . . unvarnished, resonant” (BookPage) story of a childhood spent torn between two parents and two countries. As her parents make the dangerous trek across the Mexican border to “El Otro Lado” (The Other Side) in pursuit of the American dream, Reyna and her siblings are forced into the already overburdened household of their stern grandmother. When their mother at last returns, Reyna prepares for her own journey to “El Otro Lado” to live with the man who has haunted her imagination for years, her long-absent father.

Funny, heartbreaking, and lyrical, The Distance Between Us poignantly captures the confusion and contradictions of childhood, reminding us that the joys and sorrows we experience are imprinted on the heart forever, calling out to us of those places we first called home.

Now a global bestseller, the remarkable life of Rigoberta Menchú, a Guatemalan peasant woman, reflects on the experiences common to many Indian communities in Latin America. Menchú suffered gross injustice and hardship in her early life: her brother, father and mother were murdered by the Guatemalan military. She learned Spanish and turned to catechistic work as an expression of political revolt as well as religious commitment. Menchú vividly conveys the traditional beliefs of her community and her personal response to feminist and socialist ideas. Above all, these pages are illuminated by the enduring courage and passionate sense of justice of an extraordinary woman.

On December 3, 1976, just before the Jamaican general election and two days before Bob Marley was to play the Smile Jamaica Concert to ease political tensions in Kingston, seven unnamed gunmen stormed the singer’s house, machine guns blazing. The attack wounded Marley, his wife, and his manager, and injured several others. Little was officially released about the gunmen, but rumors abounded regarding the assassins’ fates. A Brief History of Seven Killings is James’s fictional exploration of that dangerous and unstable time in Jamaica’s history and beyond. Deftly spanning decades and continents and peopled with a wide range of characters—assassins, drug dealers, journalists, and even ghosts—James brings to life the people who walked the streets of 1970s Kingston, who dominated the crack houses of 1980s New York, and who reemerged into a radically altered Jamaica of the 1990s. Brilliantly inventive, A Brief History of Seven Killings is an “exhilarating” (The New York Times) epic that’s been called “a tour de force” (The Wall Street Journal).